Technical Direction — Production Management — Berlin

Janik Albrecht

I build what creative teams imagine. From the first feasibility question to the last cable run.

Services

Three things I get hired for

Planning

  • Technical concept development
  • CAD in Vectorworks
  • Overlay and venue plans
  • Construction and production schedules
  • Budgeting

Procurement

  • Tenders and scopes of work
  • Tech riders
  • Bid comparison
  • Vendor selection
  • Interfaces between trades

Delivery

  • Technical direction on site
  • Site management for build-up and strike
  • Coordination of all trades
  • Lighting and stage concepts
  • Show operations
Projects

Six productions

35 Years Fall of the Wall at Brandenburg Gate, stage with the word Freiheit

2024 — Technical Direction for phase7 performing.arts

35 Years Fall of the Berlin Wall

Brandenburg Gate, Berlin

Anniversary production at the Brandenburg Gate, where I ran technical direction and co-designed the stage. Design decisions and structural feasibility were not settled one after the other but at the same time — inside the tight constraints of an inner-city heritage site with narrow build-up windows.

Photo: Manfred Vogel

The Infinite Now, laser beams across the Kraftwerk Berlin hall
Audience on camp beds inside Kraftwerk View down into the hall Musicians in haze

2026 — Technical Producer

The Infinite Now

Kraftwerk Berlin

Immersive concert and event series across several rooms running in parallel. Kraftwerk is a listed industrial building with no permanently installed event technology: every truss, every cable run and every escape route is planned, built and struck for the production.

Contra at Kraftwerk Berlin, hall lit in blue with audience
Wide view of the hall in orange light Crowd beneath a hanging fixture Red light element above the hall

2026 — Technical Producer

Contra — Skrillex & Friends

Kraftwerk Berlin

Multi-room production with an international line-up. Responsibility from awarding the trades through construction scheduling to delivery, with the crowd management and build-up logistics a sold-out venue of this size demands.

Photos: Mattia Spich

FISU World University Games, archery in front of the Zeche Zollverein headframe

2025 — Lead Venue Manager

FISU World University Games

Zeche Zollverein & Sportpark Essen

Eight months as the central point of contact for two competition venues: overlay planning and construction timelines, coordination of service providers, alignment with internal departments during planning, and on-site operations during the games. Zeche Zollverein is a UNESCO World Heritage site, temporarily converted for competition use.

Opening of the European Capital of Culture Bodø, laser fan above the harbour
Illuminated ship sculpture in the harbour Fireworks above the stage Laser fan above the harbour

2024 — Technical Direction for phase7 performing.arts

Opening of the European Capital of Culture

Bodø, Norway

Opening ceremony north of the Arctic Circle, in the Norwegian winter. Limited local availability of equipment and crew, long delivery routes, and weather conditions that have to be factored into build-up, material choices and scheduling from the outset.

Chasing Waterfalls, stage staircase with light beams and projection
Stage in red light Projection on the staircase sculpture Performers on the staircase

2021 & 2022 — Technical Lead, later Technical Direction

Chasing Waterfalls — AI Opera

Semperoper Dresden, then Hong Kong

An opera with artificial intelligence as a performer: a walkable staircase sculpture serving as projection surface, where image, light and performers have to land in exactly the same place. After the Dresden premiere came the adaptation for Hong Kong — same production, different house, different equipment, different regulations.

From drawing to stage

Planning is half the show

CAD render of the Chasing Waterfalls stage
Drawn in Vectorworks
The built stage in operation
Built and running

Stage design, sightlines, rigging loads and escape routes are settled in the model, not on site. What stands up cleanly in CAD saves days during build-up — and a great many arguments with the trades.

Reference list

Project register since 2021

YearProjectLocationRole
2026Contra — Skrillex & FriendsKraftwerk BerlinTechnical Producer
2026The Infinite NowKraftwerk BerlinTechnical Producer
2025FISU World University GamesRhine-RuhrLead Venue Manager
202435 Years Fall of the WallBrandenburg Gate, BerlinTechnical Direction
2024Capital of Culture openingBodø, NorwayTechnical Direction
202475 Years of ZeppelinFriedrichshafenTechnical Direction
2024Lollapalooza, Grüner KiezOlympiapark BerlinOn-site Production Management
2024Flying Bach China Tour15 cities, ChinaLighting Operator
2024Space Jam — Clubbing under the DomePlanetarium BerlinConcept and Production
2023Special Olympics World GamesMaifeld, BerlinTechnical Planning and Lead
2022Chasing Waterfalls, AI OperaHong KongTechnical Direction
2022Special Olympics National GamesMaifeld, BerlinTechnical Planning and Lead
2022HEX Techno MovementBerlinLighting Design and Operation
2021Chasing Waterfalls, AI OperaSemperoper DresdenTechnical Lead
2021National Geographic pop-up storesDüsseldorf, Porto Cervo, ParisTechnical Concept and Production
Profile

About me

Creative teams develop images, trades build structures. In between sits the work that decides whether one becomes the other: what is feasible, what it costs, who supplies it, in what order it gets built, and who carries responsibility for what. That is where I work.

Freelance since 2017 as Albrecht Veranstaltungsdienstleistungen, and since 2020 also a regular freelance technical director for phase7 performing.arts. Previously with Production Resource Group and Neuköllner Oper, among others.

BSc Industrial Engineering, MSc Event Technology and Management. German and English. Planning in Vectorworks.

Portrait of Janik Albrecht
Contact

Enquiries

For project enquiries, availability and rates, email is the fastest route.

info@janikalbrecht.de

Based in Berlin — working across Germany and internationally.